Sony a7R V vs a7R IV: what’s changed and is it worth the upgrade?
The Sony a7R V is the company’s latest high-end, high-resolution full-frame mirrorless camera. It is built around the same 60MP BSI sensor as its predecessor but with a huge …
The Sony a7R V is the company’s latest high-end, high-resolution full-frame mirrorless camera. It is built around the same 60MP BSI sensor as its predecessor but with a huge …
At $598, the Sony FE 50mm f/2.5 G is not a cheap lens. Does it offer premium image quality and performance for this price ? Watch Christopher Frost’s video to get the answer to this question.
Buried within Sony’s FX30 announcement yesterday was another announcement for two new CFexpress Type A ‘Tough’ memory cards Sony will soon have available: the 320GB CEA-G320T and the 640GB CEA-G640T.
At the time Sony announced their set (11mm f/1.8, 15mm f/1.4G, 10-20mm f/4G) of new ultrawide APS-C lenses back in June (2022), it caused quite a stir in the Sony community. Given the fact that all the rage was about full-format gear in recent years, such a visible commitment to the format was certainly a relief. In this review, we’ll have a look at the lens that is probably the most interesting of the bunch – the Sony E 11mm f/1.8.
Sony has announced in-camera forgery-proof photo technology designed to help secure images against unauthorized manipulation and guarantee provenance. It is now available for Sony a7 IV camera systems and is aimed at corporate users wanting to safeguard the authenticity of their content.
While Sony has been the undisputed leader in terms of the number of professional-grade mirrorless system lenses for many years, they are at least facing competition regarding the quality of individual lenses. Some of their 1st generation pro glass has been getting a bit long in the tooth. And one of these lenses was the Sony FE 24-70mm f/2.8 GM – not a bad lens by any standard but it has its weak spots.
Sony’s brings you the world’s lightest full frame F4 wide-angle power-zoom lens. A new power zoom system in a compact lens is suitable for small crews or solo shooting. Watch the video to see what it can do.
The FE 24-70mm F2.8 GM II is an updated “holy trinity” standard zoom, packing evolved optics and AF performance into a convenient, compact, lightweight zoom design that offers maximum mobility for both stills and movies. It is an ideal match for high-performance compact α system bodies, and will cover a wide range of shooting situations.
This detailed hands-on review of the full frame Sony 24-70mm F2.8 G-Master II lens features lots of images and video to illustrate. “Is this the best lens of all time?”
According to Sony, Perfect for wildlife and more, this 200–600mm super-telephoto zoom can reach as far as 840mm or 1200mm with 1.4x and 2.0x teleconverters, with full G lens quality …