PureRAW 3 takes your original RAW files and applies DxO’s own lens correction profiles and DeepPRIME noise reduction processing to produce images which are sharper, clearer and so noise free that you will probably re-think what you imagine your camera gear to be capable of.
In the DSLR days, Canon made a few surprising good wide angle lenses for their APS-C cameras, one of which was the Canon EF-S 10-22mm f/3.5-4.5 USM, which offered …
With a DXOMARK Camera score of 136, the Xiaomi 13 Pro performed well in our tests, offering bright exposure, nice colors and good detail capture in both photo and video modes. In addition, the camera was capable of producing high image quality at close and medium range tele settings and recorded still images with a wide dynamic range, even in low light.
With a DXOMARK Camera score of 152, the Honor Magic5 Pro is the new leader in their ranking. It also takes the No. 1 spot in the photo ranking, thanks to outstanding photo results across all light levels. The Magic5 Pro also did very well for video and is currently the best Android device for recording moving images.
The Z30 mirrorless camera is Nikon’s third APS-C (DX) system that takes advantage of the Z-mount. While clearly marketed at content creators, vloggers, and social media influencers, the compact system has everything a solo-operating content creator needs to get up and running for video and photo.
DXOMARK put the Samsung Galaxy S23 Ultra through their rigorous Camera test suite to measure its performance in photo, video, and zoom quality from an end-user perspective.
Sony’s new 50mm f/1.4 GM is a compact, fast, and high-resolution lens in Sony’s upper-echelon G Master lineup, and it joins Sony’s already flush 50mm focal length lineup.
The Xiaomi 12S Ultra is the Chinese brand’s latest flagship phone, featuring an impressive spec sheet, which includes a WQHD+ TrueColor display and Qualcomm’s latest Snapdragon 8+ Gen 1 top-end chipset for plenty of processing power. Special emphasis has been put on camera performance and design.
While Sony has been the undisputed leader in terms of the number of professional-grade mirrorless system lenses for many years, they are at least facing competition regarding the quality of individual lenses. Some of their 1st generation pro glass has been getting a bit long in the tooth. And one of these lenses was the Sony FE 24-70mm f/2.8 GM – not a bad lens by any standard but it has its weak spots.
The Panasonic Lumix DC-GH6 is the latest in a line of high-end Micro Four Thirds cameras aimed at video shooters. The GH6 can shoot a vast range of 4K-focused video modes, including slow-motion from 120 fps capture, full-sensor ‘open gate’/anamorphic shooting, and capture in industry standard formats such as ProRes 422 and 422HQ.